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English Phonetics and Phonology

 

Phonemic Chart:(Source: Teach English with Cambridge)

Title: English Phonetics and Phonology

Objective:

The basic ideas of English phonetics and phonology, such as phonemes, allophones, syllables, weak forms, minimal pairs, contractions, intonation, stress, and pronunciation, will be covered in this session.

Phonetics and phonology: the English pronunciation system. 

Phonetics is a method for accurately characterizing and cataloging linguistic sounds. By using phonetics, we can better understand aspects of language that we typically only hear in written form rather than in spoken form. Phonology is concerned with the ways that languages employ sounds to discriminate between different words. 


Phonological Features:

The characteristic sounds and patterns that are used in a particular language are referred to as phonological features. These characteristics of speech sounds include phonemes, allophones, syllables, intonation, stress, and other elements. For practice, the following is a list of phonological elements with examples:


These phonological features are essential for communication, pronunciation, and language comprehension. It is possible to increase spoken fluency and phonetic accuracy by practicing these elements.


Phonemes:

Phonemes are the basic units of sound in a language that can distinguish one word from another.

Example: In English, the phonemes /p/ and /b/ are distinct because they differentiate words like "pat" and "bat."


Allophones:

Allophones are variations of a phoneme that are specific to certain phonetic contexts.

Example: In English, the /p/ sound in "pat" and "spin" is slightly different, but both are allophones of the phoneme /p/.


Syllables:

Syllables are the units of organization for speech sounds and often consist of a vowel sound and any associated consonant sounds.

Example: The word "banana" has three syllables: ba-na-na.


Intonation:

Intonation refers to the rise and fall of pitch in speech, which can convey emotions, attitudes, or sentence types.

Example: A rising intonation at the end of a sentence can indicate a question.


Stress:

Stress is the emphasis placed on certain syllables within a word or on specific words within a sentence.

Example: The word "photograph" is stressed on the second syllable: phoTOGraph.


Weak Forms:
Weak forms are reduced, unstressed versions of certain words in connected speech.

Example: "to" is a weak form in the sentence "I want to go."


Minimal Pairs:

Minimal pairs are pairs of words that differ in only one sound, creating distinct meanings.

Example: "pat" and "bat" are minimal pairs because they differ only in the initial sound (/p/ vs. /b/).


Consonant Digraphs:

Consonant digraphs are two consonant letters that represent one sound.

Example: "sh" in "ship" represents the /ʃ/ sound.


Vowel Digraphs:
Vowel digraphs are two vowel letters that represent one sound.

Example: "ee" in "see" represents the /iː/ sound.


Silent Letters:
Silent letters are letters in words that are not pronounced.
Example: The "k" in "knee" is silent.


Schwa Sound:
Schwa is a neutral, mid-central vowel sound (usually /ə/) often found in unstressed syllables.

Example: The "a" in "sofa" is pronounced as schwa: /ˈsəʊfə/.


Voiced and Voiceless Consonants:

Some consonants are pronounced with vocal cord vibration (voiced), while others are pronounced without it (voiceless).

Example: "b" in "bed" is voiced (/b/), and "p" in "pat" is voiceless (/p/).


Allophones and Phonemes:


Phoneme: 


The smallest characteristic sound unit in a language that, when replaced by another phoneme, can alter the meaning of a word.


Example: 


When the phoneme /i/ is used in place of the letter //, the word "bit" (/bt/) becomes "beat" (/bit/).


Allophone: 


variations of a phoneme that are impacted by the sounds around them or the phonetic environment but do not alter the meaning of a word.


Example: 


At the beginning of a stressed syllable in the word "top," the /t/ sound can be aspirated [th], but it can also be unreleased [t] at the end of a word.


 unreleased [t] at the end of a word:


An unreleased [t] at the end of a word occurs when the /t/ sound is not fully released or audibly pronounced. Instead, the tongue makes the /t/ closure, but the sound is cut off without any audible release of air. This phenomenon is common in certain accents and speaking styles. Here are some examples of words where the [t] at the end is often unreleased:


  • "cat" → [kæt̚]

  • "hat" → [hæt̚]

  • "that" → [ðæt̚]

  • "not" → [nɑt̚]

  • "get" → [ɡɛt̚]

  • "what" → [wʌt̚]

In these examples, the [t] sound is represented as [t̚] to indicate that it is unreleased. The lack of an audible release can be subtle and may not be as noticeable as the fully released [t] sound in other words. The unreleased [t] can also be influenced by connected speech and the surrounding sounds in a sentence.


44 phonemes: 24 consonants and 20 vowels used in teaching English phonetics and phonology effectively.

Consonants (24):

/b/ as in "bat"
/c/ as in "cat"
/d/ as in "dog"
/f/ as in "fish"
/g/ as in "go"
/h/ as in "hat"
/j/ as in "jump"
/k/ as in "kite"
/l/ as in "lamp"
/m/ as in "man"
/n/ as in "net"
/p/ as in "pen"
/q/ as in "queen"
/r/ as in "run"
/s/ as in "sun"
/t/ as in "top"
/v/ as in "van"
/w/ as in "win"
/x/ as in "box"
/y/ as in "yes"
/z/ as in "zebra"
/ch/ as in "chat"
/sh/ as in "ship"
/th/ as in "this"

Vowels (20): 

/a/ as in "cat"
/e/ as in "bed"
/i/ as in "sit"
/o/ as in "box"
/u/ as in "bus"
/ai/ as in "rain"
/ee/ as in "see"
/igh/ as in "night"
/oa/ as in "boat"
/oo/ as in "moon"
/ar/ as in "car"
/or/ as in "fork"
/ur/ as in "burn"
/ow/ as in "cow"
/oi/ as in "coin"
/ear/ as in "ear"
/air/ as in "hair"
/ure/ as in "pure"
/er/ as in "her"
/a-e/ as in "cake"



Syllables:


A unit of speech known as a syllable contains a vowel sound or element that sounds like a vowel and may be surrounded by consonant sounds.


Example: 



Two syllables make up the word "water": wa-ter.


examples:

One-Syllable:

Cat
Dog
Sun
Run
Book
FAST

Two Syllables:

ORDER
Rabbit
Butter
Window
Bottle
object
subject
produce
perfect
present
desert
contract
record



Three Syllables:

TOMORROW
beautiful
Computer
Elephant
Chocolate
Banana
Telephone
September - Sep-tem-ber (3 syllables)
Umbrella - Um-brel-la (3 syllables)

Four Syllables:

California - Cal-i-for-nia (4 syllables)
Caterpillar - Cat-er-pil-lar (4 syllables)
Television - Tel-e-vi-sion (4 syllables)
Chocolatey - Choc-o-late-y
Celebration - Cel-e-bra-tion
Dictionary - Dic-tio-nar-y
Extravagant - Ex-tra-va-gant (4 syllables)

Five Syllables:

Photographer - Pho-to-graph-er (5 syllables)
Opportunity - Op-por-tu-ni-ty (5 syllables)
University - U-ni-ver-si-ty (5 syllables)
Unbelievable - Un-be-liev-a-ble (5 syllables)
Imagination - I-ma-gi-na-tion (5 syllables)
Environmental - En-vi-ron-men-tal (5 syllables)



English Pronunciation Rules for Stress


Remember that English has a variety of stress patterns, therefore these guidelines may not always apply. However, using these rules will enable you to identify the most typical stress distributions in a variety of English terms. You will further develop your comprehension and pronunciation of stress by practicing with a variety of terms.



How do you determine which syllables to stress? While there are certain exceptions, you can generally use the following English pronunciation rules for shorter words:

One syllable – 
Stress the first (and only) syllable. Examples: dog, cat, day, rain, etc.


Two syllables – 
Stress the first or second syllable. Generally, two-syllable nouns, adjectives, and adverbs stress the first syllable, while two-syllable verbs stress the second syllable. First syllable examples: happy (/HAP/-py), little (/LIT/-tle), and running (/RUN/-ning). Second syllable examples: record (/re-CORD/), combine (/come-BINE/), and insist (/in-SIST/).


Three syllables – 
Stress can be on the first, second, or third syllable, depending on how the word ends.

Stress the first syllable on words ending with -er (ballplayer), -or (narrator), -ly (frequently), or -y (library).

Stress the second syllable on words ending with -tion (reception), -sion (expansion), -ic (strategic), or -al (potential).

Stress the third syllable on words ending with -ee (referee), -eer (pioneer), -ese (legalese), or -ette (vinaigrette).


Four syllables – 

Stress can be on the second or third syllable, depending on how the word ends.

Stress the second syllable on words ending with -cy (transparency), -ty (fraternity), -phy (philosophy), -gy (geology), or -al (political).

Stress the third syllable on words ending with -tion (constitution), -sion (apprehension), or -ic (supersonic).

Weak Forms:

Weak Form: 

The shorter, unstressed version of a word is frequently used in connected speech to keep the rhythm and flow smooth.


Example: 


When "to" and "for" are not stressed in phrases, weak variants of these words exist.

To preserve a smooth flow and rhythm in connected speech, it's important to keep in mind that weak forms happen when certain words are less emphasized and reduced. These weak forms can be practiced to aid in speaking English naturally and understanding what is being heard.



To - /tə/ (e.g., "I want to go." - "I wantə go.")
For - /fər/ (e.g., "This is for you." - "This is fər you.")
And - /ənd/ (e.g., "Bread and butter." - "Bread ənd butter.")
Of - /əv/ (e.g., "A cup of tea." - "A cup əv tea.")
Have - /əv/ (e.g., "I have seen it." - "I əv seen it.")
Will - /əl/ (e.g., "They will come." - "They əl come.")
That - /ðət/ (e.g., "I know that." - "I know ðət.")
You - /jə/ (e.g., "I like you." - "I like jə.")
He - /iː/ (e.g., "He is here." - "He is iːr.")
She - /ʃiː/ (e.g., "She is busy." - "She is ʃiː busy.")

Minimal pairs:


Minimal pair: 


a pair of words with only a single phoneme separating their meanings.


Example:


 The only distinction between the words "bat" and "pat" is the beginning consonant sound, making them minimal pairs.


These minimal pairs are crucial for teaching students to differentiate between similar sounds and improve their listening and pronunciation abilities. To enhance their awareness of English sound distinctions and to practice the phonemes, you can employ them in a variety of exercises.



Pen - Pan (/pɛn/ - /pæn/)
Bit - Beat (/bɪt/ - /biːt/)
Ship - Sheep (/ʃɪp/ - /ʃiːp/)
Hat - Hot (/hæt/ - /hɒt/)
Pat - Pot (/pæt/ - /pɒt/)
Sit - Seat (/sɪt/ - /siːt/)
Thin - Sin (/θɪn/ - /sɪn/)
Lose - Loose (/luːz/ - /luːs/)
Cat - Cut (/kæt/ - /kʌt/)
Right - Write (/raɪt/ - /raɪt/)
Meat - Meet (/miːt/ - /miːt/)
Bear - Bare (/bɛr/ - /bɛr/)
Sale - Sail (/seɪl/ - /seɪl/)
Den - Ten (/dɛn/ - /tɛn/)
Knee - Key (/niː/ - /kiː/)
Can - Ken (/kæn/ - /kɛn/)
Wine - Whine (/waɪn/ - /waɪn/)
Sock - Sulk (/sɒk/ - /sʌlk/)
Piece - Peace (/piːs/ - /piːs/)

Contractions: 


words that have had one or more sounds removed and have had those sounds replaced with an apostrophe.


Example:

As an illustration, "can not" becomes "can," while "don't" becomes "don't."


Positive Contractions with Pronouns (Subject + "am"):

I am - I'm (e.g., I'm going to the park.)
You are - You're (e.g., You're doing a great job.)
We are - We're (e.g., We're excited about the trip.)
They are - They're (e.g., They're coming over for dinner.)
He is - He's (e.g., He's a talented musician.)
She is - She's (e.g., She's an excellent dancer.)
It is - It's (e.g., It's a sunny day.)

Negative Contractions with Pronouns (Subject + "am not" or "are not"):

I am not - I'm not (e.g., I'm not feeling well.)
You are not - You aren't (e.g., You aren't coming with us.)
We are not - We aren't (e.g., We aren't available tomorrow.)
They are not - They aren't (e.g., They aren't interested in the offer.)
He is not - He isn't (e.g., He isn't ready for the test.)
She is not - She isn't (e.g., She isn't coming to the party.)
It is not - It isn't (e.g., It isn't working properly.)

Negative Contractions with Pronouns (Subject + "were not"):

You were not - You weren't (e.g., You weren't at the meeting.)
We were not - We weren't (e.g., We weren't informed about the change.)
They were not - They weren't (e.g., They weren't happy with the decision.)
He was not - He wasn't (e.g., He wasn't aware of the situation.)
She was not - She wasn't (e.g., She wasn't able to attend.)
It was not - It wasn't (e.g., It wasn't what I expected.)

Negative Contractions with Pronouns (Subject + "has not" or "have not"):

I have not - I haven't (e.g., I haven't finished my assignment yet.)
You have not - You haven't (e.g., You haven't seen the movie.)
We have not - We haven't (e.g., We haven't received the package.)
They have not - They haven't (e.g., They haven't arrived yet.)
He has not - He hasn't (e.g., He hasn't returned my call.)
She has not - She hasn't (e.g., She hasn't decided yet.)

Negative Contractions with Pronouns (Subject + "had not"):

You had not - You hadn't (e.g., You hadn't seen it before.)
We had not - We hadn't (e.g., We hadn't heard the news.)
They had not - They hadn't (e.g., They hadn't finished their work.)
He had not - He hadn't (e.g., He hadn't been there before.)
She had not - She hadn't (e.g., She hadn't realized the mistake.)


Negative Contractions with Pronouns (Subject + "will not" or "shall not"):

I will not - I won't (e.g., I won't be late.)
You will not - You won't (e.g., You won't regret it.)
We will not - We won't (e.g., We won't forget your help.)
They will not - They won't (e.g., They won't come to the party.)
He will not - He won't (e.g., He won't change his mind.)
She will not - She won't (e.g., She won't be able to make it.)
It will not - It won't (e.g., It won't fit in the box.)

Negative Contractions with Pronouns (Subject + "would not"):

I would not - I wouldn't (e.g., I wouldn't recommend it.)
You would not - You wouldn't (e.g., You wouldn't believe what happened.)
We would not - We wouldn't (e.g., We wouldn't have succeeded without your help.)
They would not - They wouldn't (e.g., They wouldn't have guessed the answer.)
He would not - He wouldn't (e.g., He wouldn't mind waiting.)
She would not - She wouldn't (e.g., She wouldn't have agreed to it.)

Negative Contractions with Pronouns (Subject + "should not"):

I should not - I shouldn't (e.g., I shouldn't have said that.)
You should not - You shouldn't (e.g., You shouldn't worry about it.)
We should not - We shouldn't (e.g., We shouldn't have ignored the warning.)
They should not - They shouldn't (e.g., They shouldn't have taken that risk.)
He should not - He shouldn't (e.g., He shouldn't have done that.)
She should not - She shouldn't (e.g., She shouldn't have missed the opportunity.)

Negative Contractions with Pronouns (Subject + "could not"):

I could not - I couldn't (e.g., I couldn't find my keys.)
You could not - You couldn't (e.g., You couldn't have known.)
We could not - We couldn't (e.g., We couldn't attend the event.)
They could not - They couldn't (e.g., They couldn't believe their eyes.)
He could not - He couldn't (e.g., He couldn't resist the temptation.)
She could not - She couldn't (e.g., She couldn't make it on time.)

Stress and intonation:


Intonation: 


The speech pitch modulation is used to indicate attitudes, emotions, and phrase structures.


Example: 


A sentence that ends with a rising intonation is transformed into a question.


Keep in mind that tone is a key component of how meaning and emotion are expressed in spoken English. By working on these various intonation patterns, you can improve the expressiveness and naturalness of your speech.


examples for practicing intonation:

Rising Intonation (Question):

Are you coming to the party?
Did you finish your homework?
Do you like ice cream?

Falling Intonation (Statement):

I went to the store.
She loves to read books.
They are going on vacation.

Rising-Falling Intonation (Confirmation or Doubt):

You're coming with us, right?
She finished the project on time, didn't she?
They don't like spicy food, do they?

Falling-Rising Intonation (Surprise or Contrast):

He's not coming? (Surprise)
She's going to Spain? (Surprise)
We won the game? (Surprise)
It's not blue, it's green. (Contrast)

Flat Intonation (Neutral):

The weather is nice today.
The train arrives at 3 pm.
The movie starts in 10 minutes.

Stressed Intonation (Emphasis):

I said I wanted it yesterday.
She's the one who organized the event.
We need to finish this before the deadline.

Reduced Intonation (Casual or Informal):

I dunno (I don't know).
Wanna go (Do you want to go)?
Lemme try (Let me try).


Stress:


 the process of emphasizing a word's syllables or a sentence's words.


Example:


 The second syllable of "photograph" is stressed: phoTOGraph.


Keep in mind that in spoken English, emphasis helps to express meaning and importance. By working on your stress patterns, you can improve the clarity and interest of your voice.

To effectively communicate your message, it's important to pay attention to the syllable stress pattern in both noun and verb forms. Remember, stress can affect the meaning of a word. Your pronunciation and spoken English abilities will improve with practice using these examples.


Here are the examples with stress on the noun and verb forms for each word:

Object:

Noun Stress: The OBject is on the table. (emphasis on the first syllable)
Verb Stress: He plans to obJECT to the proposal. (emphasis on the second syllable)

Subject:

Noun Stress: 

The SUBject of the conversation is interesting. (emphasis on the first syllable)

Verb Stress: 

She will SUBject the proposal to a thorough review. (emphasis on the first syllable)

Produce:

Noun Stress: 

The PROduce at the farmer's market is fresh. (emphasis on the first syllable)

Verb Stress: 

They proDUCE high-quality products. (emphasis on the second syllable)

Perfect:

Noun Stress: 

His piano performance was PERfect. (emphasis on the first syllable)

Verb Stress: 

We need to perFECT the design before presenting it. (emphasis on the second syllable)

Present:

Noun Stress: 

The PREsent was beautifully wrapped. (emphasis on the first syllable)

Verb Stress:

They will preSENT their findings at the conference. (emphasis on the second syllable)

Desert:

Noun Stress: 

The DEsert is known for its hot climate. (emphasis on the first syllable)

Verb Stress: 

He decided to deSERT the army and go back home. (emphasis on the second syllable)

Contract:

Noun Stress: We signed a new CONtract with the company. (emphasis on the first syllable)

Verb Stress: 

They will conTRACT a construction company for the project. (emphasis on the second syllable)

Record:

Noun Stress: 

The vinyl REcord was a collector's item. (emphasis on the first syllable)

Verb Stress: 

She will reCORD her song in the studio. (emphasis on the second syllable)
examples for practicing stress:

Noun Stress:

CONtract (noun) vs. conTRACT (verb)
REcord (noun) vs. reCORD (verb)
REject (noun) vs. reJECT (verb)


Verb Stress:

preSENT (verb) vs. PREsent (noun/adjective)
perMIT (verb) vs. PERmit (noun)
proDUCE (verb) vs. PROduce (noun)


Adjective Stress:

exCELlent
aMAzing
DElightful


Sentence Stress:

I don't LIKE coffee.
She's COMing to the party.
He can PLAY the guitar.


Compound Noun Stress:

GREENhouse
FOOTball
SUNglasses


Multi-Syllable Word Stress:

ELevator
HOspital
aMBItious


Phrasal Verb Stress:

Give UP
Look FOR
Take OFF


Prefix Stress:

UNhappy
DISlike
REbuild


Suffix Stress:

BeauTIful
DanGERous
ComPUter


Stress in Numbered Lists:

First, we need to prepare the ingredients.
Second, mix the batter until smooth.
Third, pour the mixture into the baking pan.

Pronunciation:


NOTE: THERE ARE 26 LETTERS IN ENGLISH ALPHABET BUT 44 SOUNDS(PHONEMES)Vowels – a, e, i, o, u, *y, *w
Consonants – b, c, d, f, g, h, j, k, l, m, n, p, q, r, s, t, v, *w, x, *y, z


Pronunciation: 

the sounds, stresses, and intonations that are employed when speaking a word


Example: 

The pronunciation of "schedule" can range from /d.jul/ in British English to /skd.jul/ in American English.


Consonants


A consonant is created when the airflow through the vocal tract is totally or partially blocked. For instance, you can make the sound /p/ by blocking and then releasing air with your lips together. You can generate the sound /k/ by lifting your tongue to obstruct the rear of your mouth.


Vowels


A vowel, like the 'a' in cat (/kaet/), is made if you make a sound without restricting the airflow. The position of your tongue both horizontally and vertically within your mouth, as well as whether or not your lips are rounded, all have an impact on the sound quality.

When making speech sounds, the airflow is restricted or altered according to the articulation style. There are many articulation styles, and each is distinguished by a unique arrangement of the speech organs. Following is a list of typical ways of articulating, along with examples:

Plosive (Stop):

The airflow is completely blocked and then released.

Examples: /p/ in "pat," /b/ in "bat," /t/ in "top," /d/ in "dog," /k/ in "cat," /g/ in "go."


Fricative:

The airflow is constricted but not completely blocked, resulting in a turbulent noise.

Examples: /f/ in "fine," /v/ in "vine," /s/ in "sea," /z/ in "zebra," /ʃ/ in "she," /ʒ/ in "measure."


Affricate:

A combination of a plosive and a fricative sound, with a brief blockage and then release followed by a fricative sound.

Examples: /ʧ/ in "church," /ʤ/ in "judge."


Nasal:

The airflow is directed through the nasal passage, while the oral passage is blocked.

Examples: /m/ in "mat," /n/ in "net," /ŋ/ in "sing."


Lateral:

The airflow is obstructed at the center of the oral cavity, but it flows along one or both sides of the tongue.

Examples: /l/ in "lip," /ɫ/ in "ball."


Approximant:

The airflow is constricted, but not to the extent of creating turbulence.

Examples: /j/ in "yes," /w/ in "well."


Tap or Flap:

The tongue quickly taps against the roof of the mouth.

Examples: /ɾ/ in "butter" (in some accents), /ɾ/ in "better" (in some accents).


Trill:

The tongue repeatedly and quickly vibrates against a specific articulatory point.

Examples: /r/ in "rolled" (in some accents).

The distinctive consonant sounds in diverse languages are a result of these various ways of articulating consonants. Understanding and using these articulation techniques will help you pronounce words clearly and communicate more effectively.

Rule #1: Short words have short vowels.

Cat (/kæt/)
Dog (/dɒɡ/)
Pen (/pɛn/)

Rule #2: Two vowels side-by-side make a long vowel.

Team (/tim/)
Coat (/koʊt/)
Mail (/meɪl/)

Rule #3: Keep vowels short before double consonants.

Staff (/stæf/)
Toss (/tɒs/)
Hiss (/hɪs/)

Rule #4: Pronounce double consonants as a single letter.

Rabbit (/ˈræbɪt/)
Summer (/ˈsʌmər/)
Letter (/ˈlɛtər/)

Rule #5: Pronounce double consonant TT as D.

Better (/ˈbɛdər/)
Rotten (/ˈrɒtn/)
Little (/ˈlɪdəl/)

Rule #6: If E is at the end of a word, it’s silent.

Cake (/keɪk/)
Late (/leɪt/)
Hope (/hoʊp/)

Rule #7: Pronounce C like S when it’s followed by I, E, or Y.

City (/ˈsɪti/)
Cell (/sɛl/)
Cycle (/ˈsaɪkəl/)

Rule #8: Unstressed vowels make a “schwa” sound.

Comma (/ˈkɒmə/)
About (/əˈbaʊt/)
Balance (/ˈbæləns/)

Rule #9: Pronounce the word ending TION with a SH sound.

Nation (/ˈneɪʃən/)
Vacation (/veɪˈkeɪʃən/)
Direction (/dɪˈrɛkʃən/)

Rule #10: G and K are always silent before N at the beginning of a word.

Gnat (/næt/)
Knot (/nɒt/)
Know (/noʊ/)

Rule #11: Pronounce S like Z at the end of a word.

Cats (/kæts/)
Dogs (/dɒɡz/)
Hats (/hæts/)

Rule #12: Pronounce S like Z between two vowels.

Roses (/ˈroʊzɪz/)
Uses (/ˈjuːzɪz/)
Houses (/ˈhaʊzɪz/)

Rule #13: Pronounce X like GZ before a stressed syllable.

Example (/ɪɡˈzæmpl/)
Exhaust (/ɪɡˈzɔst/)
Examine (/ɪɡˈzæmɪn/)

Rule #14: Pronounce X like Z at the beginning of a word.

Xenon (/ˈziːnɒn/)
X-ray (/ˈzreɪ/)
Xylophone (/ˈzaɪləfoʊn/)

Rule #15: Y is both a consonant and a vowel.

Yes (/jɛs/)
You (/ju/)
Yet (/jɛt/)

Rule #16: NG sometimes sounds like two letters stuck together.

Hang (/hæŋ/)
Finger (/ˈfɪŋɡər/)
Long (/lɒŋ/)

Rule #17: Past tense endings aren’t always pronounced as D.

Passed (/pæst/)
Watched (/wɒtʃt/)
Looked (/lʊkt/)

Rule #18: Sometimes H is silent.

Hour (/aʊər/)
Honest (/ˈɒnɪst/)
Honor (/ˈɑːnər/)

Rule #19: Pronounce OO as a short U when it’s followed by K.

Look (/lʊk/)
Book (/bʊk/)
Cook (/kʊk/)

Rule #20: Pronounce EI as a long E if it comes after C in a stressed syllable.

Receive (/rɪˈsiːv/)
Deceive (/dɪˈsiːv/)
Conceit (/kənˈsiːt/)

Rule #21: Pronounce S, Z, and G like a French speaker in specific words.

Vision (/ˈvɪʒən/)
Leisure (/ˈlɛʒər/)
Mirage (/mɪˈrɑːʒ/)

Rule #22: OU has many pronunciations.

Out (/aʊt/)
House (/haʊs/)
Soup (/suːp/)

Rule #23: Stress on the first syllable makes the word a noun.

REcord (noun) (/ˈrɛkɔrd/)
reCORD (verb) (/rɪˈkɔrd/)

Rule #24: L becomes dark near the end of a syllable.

Bold (/boʊld/)
Salt (/sɒlt/)
Help (/hɛlp/)

Rule #25: Silent "L" at the end of a word:

Example: "calm" (/kɑːm/), palm, stalk, chalk, walk, talk 

Rule #27: Silent "T" at the end of a word:

Example: "Ballet" (/ˈbæleɪ/)

Rule #28: Silent "U" after "G" in some words:

Example: "Guess" (/ɡɛs/), "guard" (/ɡɑːrd/), "tongue" (/tʌŋ/).

Rule #29: Silent "W" before "R" at the beginning of a word:

Example: "Write" (/raɪt/), "wrist" (/rɪst/), "wrong" (/rɒŋ/).

Rule #30: Silent "B" at the end of some words:
Example: "Comb" (/koʊm/), "thumb" (/θʌm/), "dumb" (/dʌm/).

Rule#31:, "debt" (/dɛt/)

Rule #32: "receipt" (/rɪˈsiːt/)

Rule # 33: TH can be voiced or unvoiced.

This (/ðɪs/)
Think (/θɪŋk/)
Bath (/bæθ/)


VOICED AND UNVOICED:

The difference between "voiced" and "unvoiced" TH lies in how the TH sound is produced with the involvement of vocal cord vibration.

Voiced TH (/ð/):

The voiced TH sound (/ð/) is produced by gently placing the tip of the tongue against the upper front teeth while activating the vocal cords to create a soft buzzing or vibration.
The voiced TH sound is present in words like "this," "that," "other," "brother," and "mother."


Unvoiced TH (/θ/):

The unvoiced TH sound (/θ/) is produced similarly, with the tip of the tongue against the upper front teeth, but without vocal cord vibration. It results in a soft, breathy sound.
The unvoiced TH sound is found in words like "think," "thank," "bath," "with," and "both."

Examples:

Voiced TH (/ð/):

"this" (/ðɪs/)
"that" (/ðæt/)
"brother" (/ˈbrʌðər/)
"mother" (/ˈmʌðər/)
"feather" (/ˈfɛðər/)


Unvoiced TH (/θ/):

"think" (/θɪŋk/)
"thank" (/θæŋk/)
"bath" (/bæθ/)
"with" (/wɪθ/)
"both" (/boʊθ/)

Note: The voiced TH sound (/ð/) is not as common in English as the unvoiced TH sound (/θ/), and its presence can vary depending on accents and regional variations. Some speakers may use the voiced TH sound more frequently, while others may replace it with the unvoiced TH sound in certain words.



some pronunciation rules with examples for practice:

Please use this list as practice for pronouncing words with silent letters to increase your vocabulary and pronunciation skills.


Silent "b":

Comb (/koʊm/): /koʊm/
Thumb (/θʌm/): /θʌm/
Lamb (/læm/): /læm/


Silent "c":

Muscle (/ˈmʌsl/): /ˈmʌsl/
Scene (/siːn/): /siːn/
Indict (/ɪnˈdaɪt/): /ɪnˈdaɪt/


Silent "c" after "s":

Scene (/siːn/): /siːn/
Science (/ˈsaɪəns/): /ˈsaɪəns/
Scissors (/ˈsɪzərz/): /ˈsɪzərz/

Silent "d":

Wednesday (/ˈwɛnzdeɪ/): /ˈwɛnzdeɪ/
Handkerchief (/ˈhæŋkərtʃɪf/): /ˈhæŋkərtʃɪf/
Sandwich (/ˈsænwɪʤ/): /ˈsænwɪʤ/


Silent "d" after "t":

Listen (/ˈlɪsən/): /ˈlɪsən/
Fasten (/ˈfæsn/): /ˈfæsn/
Castle (/ˈkæsl/): /ˈkæsl/


Silent "g":

Sign (/saɪn/): /saɪn/
Reign (/reɪn/): /reɪn/
Gnome (/noʊm/): /noʊm/


Silent "h":

Hour (/aʊər/): /aʊər/
Honor (/ɑːnər/): /ɑːnər/
Heir (/eər/): /eər/
Honest (/ɒnɪst/): /ɒnɪst/Honest (/ɒnɪst/): /ɒnɪst/


Silent "h" after "w":

When (/wɛn/): /wɛn/
Where (/wɛr/): /wɛr/
Why (/waɪ/): /waɪ/

Silent "k":

Knee (/niː/): /niː/
Knife (/naɪf/): /naɪf/
Knot (/nɒt/): /nɒt/


Silent "l":

Salmon (/ˈsæmən/): /ˈsæmən/
Talk (/tɔːk/): /tɔːk/
Half (/hæf/): /hæf/


Silent "p":

Pneumonia (/njuːˈmoʊniə/): /njuːˈmoʊniə/
Psychology (/saɪˈkɒlədʒi/): /saɪˈkɒlədʒi/
Receipt (/rɪˈsiːt/): /rɪˈsiːt/


Silent "t":

Castle (/ˈkæsl/): /ˈkæsl/
Mortgage (/ˈmɔːrɡɪdʒ/): /ˈmɔːrɡɪdʒ/
Listen (/ˈlɪsən/): /ˈlɪsən/


Silent "w":

Wrist (/rɪst/): /rɪst/
Wreath (/riːθ/): /riːθ/
Write (/raɪt/): /raɪt/


Silent "y":

Martyr (/ˈmɑːrtər/): /ˈmɑːrtər/
Lyrics (/ˈlɪrɪks/): /ˈlɪrɪks/
Pygmy (/ˈpɪɡmi/): /ˈpɪɡmi/


Silent "z":

Rendezvous (/ˈrɒndeɪvuː/): /ˈrɒndeɪvuː/
Haphazard (/ˌhæzˈɑːrd/): /ˌhæzˈɑːrd/


Silent "d" after "j":

Adjective (/ˈædʒɪktɪv/): /ˈæʤɪktɪv/
Adjourn (/əˈdʒɜrn/): /əˈʤɜrn/
Adjective (/ˈædʒɪktɪv/): /ˈæʤɪktɪv/
Adjust (/əˈdʒʌst/): /əˈʤʌst/


Silent "b" after "m":

Lamb (/læm/): /læm/
Thumb (/θʌm/): /θʌm/
Comb (/koʊm/): /koʊm/
Climb (/klaɪm/): /klaɪm/


"C" followed by "a," "o," "u" has the hard sound /k/:

Cat (/kæt/): /kæt/
Code (/koʊd/): /koʊd/
Cup (/kʌp/): /kʌp/



"P" + Vowel has a plosive sound:

Pat (/pæt/): /pæt/
Pet (/pɛt/): /pɛt/
Pick (/pɪk/): /pɪk/
Pot (/pɒt/): /pɒt/
Put (/pʊt/): /pʊt/


"R" sound:

Rat (/ræt/): /ræt/
Read (/riːd/): /riːd/
Right (/raɪt/): /raɪt/
Rain (/reɪn/): /reɪn/
Run (/rʌn/): /rʌn/



"T" sound:

Time (/taɪm/): /taɪm/
Tea (/tiː/): /tiː/
Top (/tɒp/): /tɒp/
Take (/teɪk/): /teɪk/
Ten (/tɛn/): /tɛn/


"Ch" + Vowel sound:

Chair (/tʃɛr/): /tʃɛr/
Cheese (/ʧiːz/): /ʧiːz/
Child (/ʧaɪld/): /ʧaɪld/
Check (/ʧɛk/): /ʧɛk/
Church (/ʧɜːrtʃ/): /ʧɜːrtʃ/



"V" and "W" sounds are different:

v
vet
vest
vein
veet
veal
vie
Van (/væn/): /væn/
Vase (/veɪs/): /veɪs/

we
Wet (/wɛt/): /wɛt/
west
wane
wheat
wheel
whyWin (/wɪn/): /wɪn/
Wine (/waɪn/): /waɪn/
Wet (/wɛt/): /wɛt/


Silent "e" after "v" (in some words):

Give (/ɡɪv/): /ɡɪv/
Live (/laɪv/): /laɪv/
Love (/lʌv/): /lʌv/


Silent "g" in g+"n":

Design (/dɪˈzaɪn/): /dɪˈzaɪn/
Foreign (/ˈfɔːrən/): /ˈfɔːrən/
Reign (/reɪn/): /reɪn/


"G" sound:

Genre (/ˈʒɑːnrə/): /ˈʒɑːnrə/
garage
massage
fuselage
regime


gh: sound


Ghost (/ɡoʊst/): /ɡoʊst/
aghast
ghastly
ghoul
Aghast (/əˈɡæst/): /əˈɡæst/

"Oy" or "Oi" sound as in "boy":

Boy (/bɔɪ/): /bɔɪ/
Toy (/tɔɪ/): /tɔɪ/
Coin (/kɔɪn/): /kɔɪn/
Noise (/nɔɪz/):



American Vs British English Pronunciation:


Pronunciation differences between British English (BrE) and American English (AmE) :


"R" Pronunciation:

BrE: Pronounce "r" only when it appears before a vowel or at the beginning of a word.


AmE: Pronounce "r" in most instances, especially when it appears at the end of a word or before a consonant. 

Examples:
BrE: "Car" (/kɑː/)
AmE: "Car" (/kɑːr/)


"T" Pronunciation:

BrE: Tend to pronounce "t" more like a soft "t" or "d" when it appears between vowels.
AmE: Tend to pronounce "t" more distinctly as a "t" sound. 

Examples:
BrE: "Water" 
(/ˈwɔːtər/) 

AmE: "Water"  (/ˈwɔːdə/)


"A" Pronunciation:

BrE: In certain words like "path" and "dance," the vowel sound is closer to /ɑː/ or /ɑːr/.
AmE: In the same words, the vowel sound is closer to /æ/. 

Examples:
BrE: "Path" (/pɑːθ/)
AmE: "Path" (/pæθ/)


"O" Pronunciation:

BrE: In some words, like "not" and "lot," the vowel sound is closer to /ɒ/.
AmE: In the same words, the vowel sound is closer to /ɑː/ or /ɑ/. 

Examples:
BrE: "Not" (/nɒt/)
AmE: "Not" (/nɑːt/)


"U" Pronunciation:

BrE: In certain words, like "tube" and "new," the vowel sound is closer to /juː/.
AmE: In the same words, the vowel sound is closer to /uː/. 

Examples:
BrE: "Tube" (/tjuːb/)
AmE: "Tube" (/tuːb/)


"Z" Pronunciation:

BrE: Words like "advertise" and "realize" are pronounced with /aɪz/ or /aɪzə/.
AmE: In the same words, the "z" sound is pronounced as /aɪz/ or /aɪzəs/.

Examples:
BrE: "Realize" (/ˈrɪəlaɪz/)
AmE: "Realize" (/ˈriːəlaɪz/)


"J" Pronunciation:

BrE: The letter "j" is pronounced as /dʒ/ in words like "project" and "adjust."
AmE: The letter "j" is pronounced as /ʤ/ in the same words. 

Examples:
BrE: "Project" (/ˈprɒdʒekt/)
AmE: "Project" (/ˈprɑːʤekt/)


"T" and "D" Pronunciation:

BrE: In words like "butter" and "better," the "t" and "d" sounds are pronounced more softly or even omitted.
AmE: In the same words, the "t" and "d" sounds are pronounced more clearly.

Examples:
BrE: "Butter" (/ˈbʌrə/)
AmE: "Butter" (/ˈbʌtər/)


"H" Pronunciation:

BrE: "H" is usually pronounced as /heɪtʃ/.
AmE: "H" is sometimes pronounced as /heɪtʃ/, but in informal speech, it can be pronounced as /eɪtʃ/. 

Examples:
BrE: "House" (/haʊs/)
AmE: "House" (/haʊs/ or /aʊs/)


"L" Pronunciation:

BrE: In certain words like "milk" and "help," the "l" sound is lighter and less emphasized.
AmE: In the same words, the "l" sound is more distinct. 

Examples:
BrE: "Milk" (/mɪlk/)
AmE: "Milk" (/mɪlk/ or /mɪlk/)


"ILE" sound:
BrE: Words ending in "-ile" (e.g., mobile, fertile, senile) are typically pronounced with one syllable, as /aɪl/.
AmE: In American English, words ending in "-ile" are often pronounced with two syllables, as /aɪ.əl/ or /iːl/. 

Examples:
BrE: "Mobile" (/ˈməʊbaɪl/)
AmE: "Mobile" (/ˈmoʊbəl/ or /moʊˈbiːl/)


"-ARY"-ory, -mony sound:
BrE: Words ending in "-ary" (e.g., ceremony, honorary) are usually pronounced with three syllables, with the stress on the first syllable.
AmE: In American English, words ending in "-ary" are often pronounced with four syllables, with the stress on the second syllable. 
Examples:
BrE: "Ceremony" (/ˈserəməni/)
AmE: "Ceremony" (/ˈsɛrəˌmoʊni/)
regulatory
testimony
secretary



"O" sound:
BrE: In some words like "God," "call," "fall," "mall," "doll," the "o" sound is pronounced as /ɒ/.
AmE: In the same words, the "o" sound is pronounced as /ɑː/ or /ɔː/. 
Examples:
BrE: "God" (/ɡɒd/)
AmE: "God" (/ɡɑːd/ or /ɡɔːd/)
call
fall
tall
fall
mall
call
top
dog

"NT" together:BrE: The "t" sound is pronounced before "n" in words like "internet," "sentence," "interesting."
AmE: In American English, the "t" sound is often silent before "n." 
Examples:
BrE: "Internet" (/ˈɪntərnet/)
AmE: "Internet" (/ˈɪnərnet/)
sentence
interesting
Internet


"A" sound in certain words:
BrE: In some words like "dance" and "plant," the "a" sound is pronounced as /ɑː/.
AmE: In the same words, the "a" sound is pronounced as /æ/. Examples:
BrE: "Dance" (/dɑːns/)
AmE: "Dance" (/dæns/)
fast
past
branch
half
cast


"Z" and "S" pronunciation:
BrE: In words like "advertise," "realize," the "s" sound is pronounced as /s/.
AmE: In the same words, the "s" sound is pronounced as /z/. 
Examples:
BrE: "Realize" (/ˈrɪəlaɪz/)
AmE: "Realize" (/ˈriːəlaɪz/)


"E" sound in some words:
BrE: In words like "herb" and "derby," the "e" sound is pronounced as /ɜː/.
AmE: In the same words, the "e" sound is pronounced as /ɝː/. 
Examples:
BrE: "Herb" (/hɜːrb/)
AmE: "Herb" (/hɝːb/)


"T" Pronunciation:BrE: In some words, like "butter" and "better," the "t" sound is pronounced as /t/.
AmE: In the same words, the "t" sound is pronounced as /ɾ/ (a flap or tap sound). Examples:
BrE: "Butter" (/ˈbʌtər/)
AmE: "Butter" (/ˈbʌɾər/)
letter
better
Betty
letter
litter
bitter
Twitter
writer
writing
biting


"T" in certain words:
BrE: In words like "ballet" and "debate," the "t" sound is pronounced as /t/.
AmE: In the same words, the "t" sound is often pronounced as a soft /d/. 

Examples:
BrE: "Ballet" (/ˈbæleɪ/)
AmE: "Ballet" (/ˈbæleɪt/)


held "t":

There is another pronunciation difference related to the "t" sound in certain words in American English."T" Pronunciation in certain words:
BrE: In some words like "benefit" and "important," the "t" sound is typically pronounced as /t/.
AmE: In the same words, the "t" sound is often pronounced as a "flap t" or "held t" (/ɾ/), which is a softer, more rapid sound made by tapping the tongue briefly against the alveolar ridge behind the upper front teeth. 
Examples:
BrE: "Benefit" (/ˈbenɪfɪt/)
AmE: "Benefit" (/ˈbɛnɪfɪɾ/)

In American English, the "flap t" often occurs in the middle and at the end of words, especially when the "t" is between two vowels (e.g., "butter," "water," "better").


In certain words like "postman" and "Christmas," the "t" sound is often not clearly audible in casual spoken American English. This is a common phenomenon known as a "flap t" or "held t."

In American English, when a "t" sound occurs between two vowel sounds (especially after a stressed syllable), it is often pronounced as a "flap t" or a softer, more rapid sound. The tongue taps the alveolar ridge briefly instead of making a distinct /t/ sound. This makes the "t" sound more like a quick /d/ sound or a soft /ɾ/ sound, similar to the "d" sound in the word "water" (pronounced as "wah-der").

Examples:

BrE: "Postman" (/ˈpəʊs(t)mən/)


AmE: "Postman" (/ˈpoʊs(t)mən/ or /ˈpoʊzmən/)


BrE: "Christmas" (/ˈkrɪs(t)məs/)


AmE: "Christmas" (/ˈkrɪs(t)məs/ or /ˈkrɪsməs/)

This phenomenon occurs in various words in American English, especially in casual speech, and is influenced by the surrounding sounds and stress patterns in the word. However, in more formal or careful speech, the "t" sound may be pronounced more clearly.


Australian vs British English Pronunciation:

Keep in mind that accents, regional dialects, and formality can all affect how words are pronounced differently. These illustrations show broad trends, but they might not always be true. Being aware of these differences is crucial while speaking and listening in British and Australian English environments.


Pronunciation differences between British English (BrE) and Australian English (AusE):

"R" Pronunciation:
BrE: In British English, the "r" sound is usually pronounced only when it appears before a vowel.
AusE: In Australian English, the "r" sound is often pronounced even when it appears before a consonant. 
Example: "Car" (/kɑːr/ in BrE, /kɑːr/ or /kɑː/ in AusE)


"A" sound in certain words:
BrE: In some words like "dance" and "plant," the "a" sound is pronounced as /ɑː/.
AusE: In the same words, the "a" sound is pronounced as /æ/. 
Example: "Dance" (/dɑːns/ in BrE, /dæns/ in AusE)


"T" Pronunciation in certain words:
BrE: In some words like "ballet" and "debate," the "t" sound is typically pronounced as /t/.
AusE: In the same words, the "t" sound is often pronounced as a soft /d/. Example: "Ballet" (/ˈbæleɪ/ in BrE, /ˈbæleɪt/ in AusE)


"I" sound in certain words:BrE: In some words like "vitamin" and "privacy," the "i" sound is pronounced as /ɪ/.
AusE: In the same words, the "i" sound is pronounced as /aɪ/. 
Example: "Vitamin" (/ˈvɪtəmɪn/ in BrE, /ˈvaɪtəmɪn/ in AusE)


"O" sound in certain words:
BrE: In some words like "not" and "lot," the "o" sound is pronounced as /ɒ/.
AusE: In the same words, the "o" sound is pronounced as /ɔː/. 
Example: "Not" (/nɒt/ in BrE, /nɔːt/ in AusE)


"U" sound in certain words:
BrE: In some words like "cup" and "luck," the "u" sound is pronounced as /ʌ/.
AusE: In the same words, the "u" sound is pronounced as /ʊ/. 
Example: "Cup" (/kʌp/ in BrE, /kʊp/ in AusE)


"A" sound in "dance" and "castle":
BrE: In words like "dance" and "castle," the "a" sound is pronounced as /ɑː/.
AusE: In the same words, the "a" sound is pronounced as /æ/. 
Example: "Castle" (/ˈkɑːsl/ in BrE, /ˈkæsl/ in AusE)


"R" sound in certain words:
BrE: In words like "car," "arm," and "park," the "r" sound is usually pronounced.
AusE: In the same words, the "r" sound may be pronounced with a softer "r" or omitted in casual speech. 
Example: "Car" (/kɑːr/ in BrE, /kɑː/ in AusE)


"O" sound in certain words:BrE: In some words like "hot" and "lot," the "o" sound is pronounced as /ɒ/.
AusE: In the same words, the "o" sound is pronounced as /ɔː/. 
Example: "Hot" (/hɒt/ in BrE, /hɔːt/ in AusE)


"T" Pronunciation in certain words:
BrE: In some words like "better" and "butter," the "t" sound is pronounced as /t/.
AusE: In the same words, the "t" sound is often pronounced as a "flap t" or "held t" (/ɾ/). 
Example: "Better" (/ˈbetər/ in BrE, /ˈbedər/ in AusE)


Glottal Stop:

The glottal stop is a speech sound produced by briefly closing the vocal cords. It is represented by the symbol [ʔ].

Example: The glottal stop occurs in words like "butter" or "bottle" when some speakers say [ˈbʌʔər] or [ˈbɒʔl].


Diphthongs:

Diphthongs are complex vowel sounds formed by the combination of two vowel sounds within the same syllable.

Example: In the word "coin," the "oi" represents a diphthong /ɔɪ/.


Triphthongs:

Triphthongs are vowel sounds that consist of three distinct elements: a beginning, a middle, and an end.

Example: The word "fire" contains the triphthong /aɪə/ as in /faɪər/.


Flapping:

Flapping is a process in which the /t/ and /d/ sounds between vowels are pronounced as a soft /ɾ/ sound.

Example: In American English, "butter" is sometimes pronounced as "budder."


Elision:

Elision is the omission of a sound or syllable in pronunciation, often due to connected speech.

Example: "I'm going to" can be pronounced as "I'm gonna" with elision of the /t/ sound.

Keep in mind that elision frequently occurs in connected speech, particularly in informal or casual settings. Understanding these pronunciation characteristics is crucial for understanding naturally spoken English and for speaking clearly in a variety of social contexts. The fluency and rhythm of spoken English will become more familiar to learners as they practice these examples.

examples:


I'm going to → I'm gonna
He is → He's
She will → She'll
Let me → Let me (in casual speech, the "t" in "let" is often elided)
I have → I've
They are → They're
We have → We've
It is → It's
What are → Whatcha (common in informal speech)
Did you → Didja (common in informal speech)

Linking and Liaison:

Linking and liaison refer to the blending of words in connected speech, where the final consonant sound of one word joins with the initial vowel sound of the next word.

Example: "A big apple" can sound like "A big-gapple" in connected speech.

Another word for the process by which sounds change and converge more closely with nearby sounds is absorption. Assimilation, in which the final consonant sound of one word melds with the first vowel sound of the next word, occurs during both linking and liaison. Here are some further instances of liaison and connection for drill:


Linking:

Come over → [kʌm ˈoʊvər]
Good boy → [ɡʊd ˈbɔɪ]
Big apple → [bɪɡ ˈæpəl]
High energy → [haɪ ˈɛnərdʒi]
Ten eggs → [tɛn ˈɛɡz]
That table → [ðæt ˈteɪbl̩]
Do it → [du ɪt]

Liaison:

He is → [hi z]
She has → [ʃi hæz]
Two apples → [tu ˈæpəlz]
We eat → [wi ˈiːt]
Good idea → [ɡʊd aɪˈdiə]
Old friends → [oʊld frɛndz]
Red apple → [rɛd ˈæpəl]

In linking, we can see how the final consonant sound of one word (e.g., "come," "big") links with the initial vowel sound of the next word (e.g., "over," "apple"). In liaison, we observe how the final consonant sound of a word (e.g., "has," "is") becomes part of the following word when it starts with a vowel (e.g., "two," "idea").

Being aware of these procedures enables learners to comprehend and generate natural-sounding spoken language. They also make connected conversations in English flow smoothly. By using these examples frequently, you can increase your listening comprehension and fluency.


Rhotic vs. Non-Rhotic Accents:

Rhotic accents retain the "r" sound in words like "car," while non-rhotic accents drop the "r" sound unless it's followed by a vowel.

Example: In non-rhotic accents, "car" is pronounced /kɑː/ instead of /kɑːr/.



Intrusion: 
Intrusion is a phenomenon where an extra sound, typically a schwa sound /ə/, is inserted between certain words for smoother speech flow.

Examples:
"Law and order" → [lɔːr ən d ˈɔːrdər]
"Red wine" → [rɛd əw aɪn]
"Salt and pepper" → [sɔːlt ən d ˈpɛpər]

In these examples, the schwa sound /ə/ is intruded between the words "law and," "red and," and "salt and" to create a more connected and fluent speech.

Catenation: 

Catenation refers to the linking of words that have the same or similar ending and beginning sounds to form a smoother sequence in connected speech.

Examples:"Green apple" → [ɡriːn n ˈæpəl]
"Big girl" → [bɪɡ ɡ ɜːrl]
"Good day" → [ɡʊd d eɪ]

In these instances, a more continuous and flowing sound is produced by fusing the final consonant of the first word with the first consonant of the next word.

Understanding intrusion and catenation, two elements of connected speech that are frequently used, will increase your listening comprehension and your ability to generate English that sounds more naturally. These phonological elements will become more ingrained in your speech as a result of the repetition of these instances in drill exercises.


Pakistani English:


Regional accents and language influences can have an impact on pronunciation when speaking "Global English," "Pakistani English," or "English as an International Language" (EIL). Pakistani English is a form of English that is spoken in Pakistan. It may differ from other varieties of English in several phonological characteristics and pronunciation guidelines.

While there aren't any specific, rigid guidelines for Pakistani English pronunciation, there are several broad tendencies and characteristics that are frequently noticed. The following pronunciation quirks may be unique to Pakistani English:



Vowel Sounds:

Some vowel sounds may differ from standard British or American English. 
For example:
The "a" sound in words like "cat" and "hat" may be pronounced with a slight nasal quality or as /ɛ/.
The "i" sound in words like "sit" may be pronounced as /ɛ/ or /ɪ/.
The "o" sound in words like "pot" may be pronounced as /ɔ/ or /ɒ/.


Consonant Sounds:

Certain consonant sounds may be pronounced differently, influenced by regional languages or accents.
The "v" sound may be pronounced as /w/ in some instances.
The "th" sound may be pronounced as /t/ or /d/ in certain words, such as "thing" pronounced as "ting" or "this" pronounced as "dis."


Rhoticity:

Pakistani English tends to be non-rhotic, similar to British English. The "r" sound at the end of words or before consonants may be dropped.
For example, "car" may be pronounced as /kɑː/ instead of /kɑːr/.


Stress and Intonation:

Pakistani English may have different stress patterns and intonation compared to standard British or American English.
Stress may fall on different syllables in certain words or phrases, and intonation may vary based on cultural norms and influences.

It's crucial to remember that Pakistani English is a dynamic, developing language with its own special traits, much like other variations of English. Even while the Pakistani English community may share similar phonetic characteristics, there may also be differences depending on the speaker, their locality, and their exposure to other varieties of English.

As with learning any language, exposure, practice, and immersion in the target language's cultural context will aid students in better comprehending Pakistani English's pronunciation patterns and phonological elements.



Exercises for Practice:


Find the phoneme in the following minimal pair that modifies the meaning:


"pen" vs. "pan" (Answer: /ɛ/ vs. /ae/)

Give the weak form of the following words in connected speech:

"to" (Answer: /tə/)

"for" (Answer: /fər/)


Convert the following to contractions:

"I am" (Reply: I am) "They will" (Reply: they will)


Examine how the following statement is stressed and spoken.


"Are you coming to the party?" (Answer: Rising intonation in a yes/no question, stress on "com" and "par")


Count the syllables in the following words:


("elephant"; pronounced "el-e-phant")

Answer to "happiness" is "hap-pi-ness."


Conclusion: 

For the improvement of English language abilities and efficient communication, it is crucial to comprehend phonemes, allophones, syllables, weak forms, minimal pairings, contractions, intonation, stress, and pronunciation. Putting these ideas into practice will improve your spoken and written English.

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